Location Visit Handbook
11 - 15 July 2025
Embedded Files
ITINERARY
ITINERARY
VIB_Itinerary Loc. Visit_07102025.pdfDAY 1 - July 12th 2025
DAY 1 - July 12th 2025
PRAMBANAN TEMPLE - ESTABLISH YOGYAKARTA
CHEVY'S REFERENCE
ESTABLISH - YOGYAKARTA (SCENE 2)
Scene 2 OPENING — ESTABLISH- DRONE — 16MM /WIDE
PABRIK GULA GONDANG - AEGEA BUILDING
CHEVY'S REFERENCE
AEGEA BUILDING (SCENE 25)
STEADICAM AND DOLLY SHOTS WITH 16mm, 35mm, AND 50mm LENSES.
AEGEA BUILDING (SCENE 25A)
STEADICAM AND DOLLY SHOTS WITH 16mm, 35mm, AND 50mm LENSES.
AEGEA BUILDING - WHITE HALLWAY (SCENE 25B)
STEADICAM AND DOLLY SHOTS WITH 16mm, 35mm, AND 50mm LENSES.
AEGEA BUILDING - HALLWAY - MUTANT BEDROOM (SCENE 26)
STEADICAM AND DOLLY SHOTS WITH 16mm, 35mm, AND 50mm LENSES.
AEGEA BUILDING - WHITE HALLWAY (SCENE 25B)
STEADICAM AND DOLLY SHOTS WITH 16mm, 35mm, AND 50mm LENSES.
BOROBUDUR TEMPLE - ESTABLISH YOGYAKARTA
CHEVY'S REFERENCE
ESTABLISH - YOGYAKARTA (SCENE 2)
Scene 2 OPENING — ESTABLISH- DRONE — 16MM /WIDE
DAY 2 - July 13th 2025
DAY 2 - July 13th 2025
STUDIO ALAM GAMPLONG - AEGEA ISLAND - CITY CENTER
CHEVY'S REFERENCE
AEGEA ISLAND - CITY CENTER (SCENE 24)
STEADICAM 16mm, 35mm, AND 50mm LENSES
JLS KRETEK - AEGEAN ISLAND - ROAD
CHEVY'S REFERENCE
AEGEAN ISLAND - ROAD (SCENE 23 & 23A)
SCENE 23 DOLLY, RONIN WITH 16mm, 35mm, AND 50mm LENSES.
SCENE 23A Dolly & DRONE WITH 16mm, 35mm, AND 50mm LENSES.
DAY 3 - July 14th 2025
DAY 3 - July 14th 2025
NDALEM YUDHONEGARAN - ORPHANAGE
CHEVY'S REFERENCE
ORPHANAGE - HALLWAY (SCENE 3)
Scene 3: — STEADICAM/PORTA — 16MM , 35MM, 50MM, — WIDE , MEDIUM = Note focus on 50mm ‘ its like traveling through time shows her bracelet.
ORPHANAGE - HALLWAY (SCENE 14 & 17)
Scene 14— DOLLY - E.H.A. — 16MM — 25MM
Scene 17— STEADICAM/ RONIN/ ANYTHING THAT CAN MAKE THIS MOVEMENT SMOOTH - 16MM,35MM,50MM,25MM,
ORPHANAGE - DINING ROOM (SCENE 4, 5 & 6)
Scene 4 —PORTA- STEADICAM — DOLLY — WIDE — MEDIUM — 16MM — 50MM
Scene 5— STEADICAM — WIDE — MEDIUM ON DOLLY — 16MM AND 50MM
Scene 6— STEADICAM AND DOLLY
ORPHANAGE - DORMITORY BEDROOM (SCENE 7 & 16)
Scene 7— PORTAJIB —AERIAL GOING DOWN ON ZAITUN BACK AND FORTH TO YANTI AND THE REST OF THE CAST
Scene 16— STEADYCAM — 18MM — 25MM— 50MM
ORPHANAGE - MARSHANDA'S BEDROOM (SCENE 13)
Scene 13— AERIAL EXTREMLY HIGH ANGLE —DARK ON THE SIDE, SPOT LIGHT SOFT ON THE SUBJECT— AND CUT TO WIDE STEADICAM 16MM / WIDE. WE NEED THE PRACTICAL VE LIQUID HER FINGER (MUTANT ) PLANT PAYSOFF
ORPHANAGE - BATHROOM (SCENE 18)
AERIAL SHOTS AND HIGH-ANGLE SHOTS OF PORTS, USING HIGH-ANGLE DOLLY SETUPS. STEADICAM WORKS WITH SUPER WIDE LENSES: 16mm, and 35mm, AND 50mm.
TAMAN SARI - RIVER, AEGEAN LAB
CHEVY'S REFERENCE
RIVER - RITUAL SHOWER (SCENE 8, 9, 10 & 11)
Scene 8— DEPENDS ON THE LOCATION BUT I WANT DRONE OR JIMMYJIB SOMETHING WHERE I CAN HAVE MY AERIAL SHOTS CAPTURING THE SET,
Scene 9 — REQUESTED UNDER WATER, NEED TO DISCUSS THIS WITH DP DEPARTMENT,
Scene 10
Scene — 11 — JIMMYJIB, LOW ANGLE TRACK INTO THE FLOWER SHOWS SASTRA DIAS LOOKS SCARY AND USE THE SHADOW, THE GERMAN EXPRESSION
AEGEAN LAB (SCENE 20)
Steadicam and dolly shots with 16mm, 35mm, and 50mm lenses.
AEGEAN LAB UNDERGROUND (SCENE 20A)
Steadicam and dolly shots with 16mm, 35mm, and 50mm lenses.
AEGEAN LABORATORY IN THE SUBURBS (SCENE 21)
Steadicam 16mm, 35mm, and 50mm lenses.
AEGEAN ISLAND (SCENE 22)
Dolly with 16mm, 50mm lenses.
ORPHANAGE BATHROOM TO LAB BATHROOM (SCENE 19)
Scene 19: Dolly track-out and Steadicam shots using 16mm, 35mm, and 50mm lenses.
SANATA DHARMA UNIVERSITY - ORPHANAGE -CLASSROOM, FACULTY ROOM, BATHROOM & DORMITORY BEDROOM
CHEVY'S REFERENCE
ORPHANAGE - DORMITORY BEDROOM (SCENE 7 & 16)
Scene 7— PORTAJIB —AERIAL GOING DOWN ON ZAITUN BACK AND FORTH TO YANTI AND THE REST OF THE CAST
Scene 16— STEADYCAM — 18MM — 25MM— 50MM
ORPHANAGE - FACULTY ROOM (SCENE 12)
Scene 12: STATIC AND DOLLY — EYE LEVEL — 35M AND THE 50MM THE MOTIVATION TO KEEP BOTH CHARACTER INTERNAL FEELING
ORPHANAGE - MARSHANDA'S BEDROOM (SCENE 13)
Scene 13— AERIAL EXTREMLY HIGH ANGLE —DARK ON THE SIDE, SPOT LIGHT SOFT ON THE SUBJECT— AND CUT TO WIDE STEADICAM 16MM / WIDE. WE NEED THE PRACTICAL VE LIQUID HER FINGER (MUTANT ) PLANT PAYSOFF
ORPHANAGE - BATHROOM (SCENE 18)
AERIAL SHOTS AND HIGH-ANGLE SHOTS OF PORTS, USING HIGH-ANGLE DOLLY SETUPS. STEADICAM WORKS WITH SUPER WIDE LENSES: 16mm, and 35mm, AND 50mm.
ORPHANAGE BATHROOM TO LAB BATHROOM (SCENE 19)
Scene 19: Dolly track-out and Steadicam shots using 16mm, 35mm, and 50mm lenses.
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